Category: Culture

NACHRICHTEN–NEWS

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Museum for Communication, Berlin

Reuters Kabel

Background

The travelling exhibition »NACHRICHTEN–NEWS« at the Museum for Communication Berlin, designed by gewerkdesign and realised in cooperation of the museum with the Deutsche Presse-Agentur dpa, takes place on the occasion of the Year of News 2024, in which the 75th anniversary of the dpa and the German Constitution with its Article 5 on freedom of the press are celebrated. In times of fake news and »alternative facts«, it was important to us to familiarise ourselves with scientific and curatorial perspectives on the topic of news, as well as a real inspiration to deal with this topic creatively and bring it into the space.

From news overload to a clear understanding
The spatial set-up of the exhibition is an increasing sorting of the cacophonic news overload that we are confronted with today, resulting in a clear overview and positioning within the diverse media landscape. The prologue is tightly packed with iconic news images in light boxes and on screens, the word “news” is visible in oversized letters in many languages of the world next to, above and below the image clusters, a news ticker runs newsflashes. In the course of the exhibition, visitors attain an ever clearer understanding, which is also furthered by the many hands-on stations. Finally, in the epilogue, a concrete result about what medium ideally suits one’s individual preferences is produced in the Media Match.

A dialogic exhibition concept with high relevance
»NACHRICHTEN–NEWS« has a modular, sustainable and inclusive design and reflects the controversial relationship between the news and its users. The exhibition is dialogical throughout: Visitors are being asked their opinions station by station – in the exhibition space and beyond it, in the social media of the museum. The interactive exhibition is intended to make visitors explore and become conscious of what habits and needs motivate us to choose specific news channels. As one learns in the exhibition, it is today easier than ever to access news from all over the world, however, the general interest in them is paradoxically as low as never before. That is why the superordinate societal, political and media-related contexts in which we live and act are taken into account.

Tasks / Range of Services
Exhibition design and planning, object presentation, hands-on development, implementation planning, exhibition production, project management, exhibition graphics, corporate design of the exhibition

Details

• Duration: 11 October 2024 to
F25 September 2025
• Locations: Museum for
FCommunication, Berlin, then
FFrankfurt and Hamburg
• Client: Museumsstiftung Post
Fund Telekommunikation
• Area: 650 m²

Similar Projects

• On Air! The History of Radio and
FTelevision, Technoseum, Mannheim
• World of Media – Radio Bremen
F75 years, Focke-Museum, Bremen
• Out of Office – When robots and AI
Fdo our work for us, Museum der
FArbeit, Hamburg

Press

• General-Anzeiger Bonn
• Presseportal
• Menschen Machen Medien
• RBB radioeins
• RBB radio3
• Tagesspiegel

Design Process

Project Team

• Jens Imig
• Julia Junghänel
• Victor Reichert
• Sophia Bouveret
• Janine de Souza
• Gabriel Tecklenburg
• Adele Heymann

Exhibition Construction
• Raumsektor, Berlin

Media Design
• Framegrabber Medien, Hamburg

Graphic Production
• Rost: Werbetechnik, Berlin

Photography
© Museum für Kommunikation Berlin
Photos: Vincent Villwock

Nichts. Nothing. Riens.

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Museum of Communication Bern, Switzerland

Exhibition Poster

Background

The exhibition project “Nichts. Nothing. Riens.” takes on nothing. It casts a light on the small things in life that we otherwise hardly notice. While we normally are concerned with the act of filling, being constantly busy and pursuing something more, this exhibition is an unusual experience of the opposite. A particular challenge for gewerkdesign was to conceive and implement the nothing spatially as well as graphically.

Objects, stories, films, illusionary spaces, waiting rooms, and moments of surprise are associated with the term “Nothing” by integrating everyday observations and situations into the exhibition space. As part of a broad-based research for the exhibition, the exhibits were compiled during a series of workshops and subsequently distributed across the six areas of the exhibition: 1. A Lot of Nothing, 2. The Waiting Room, 3. Nothing for You, 4. All this Nothing, 5. Constructing Nothing, 6. Cinema Stage.

The exhibition architecture is not visible at first glance. It aligns with the architecture of the museum, supplementing it with additional windows, pillars, and doors. A trilingual transponder invisibly and magically guides the visitors through the exhibition set, leading to a filmic show of actors staging bizarre encounters. The exhibition is designed to be sustainable. Its individual elements were economically produced, minimising the overall consumption of resources. Wall panelling, old wine crates, cardboard tubes were recycled from previous exhibitions. The graphics were mainly printed on paper in order to minimise the use of plastic and composite materials.

Our exhibition graphics show several solutions for the special challenge to represent the nothing in an image. Five motifs visualise the nothing that we concurrently bring into the space. In the motifs of our poster series, the nothing becomes visually tangible by staging that which surrounds the nothing: flying newspaper pages, an empty train platform, a staircase into the empty cosmos. In these images, a facet of the charming and probably typical Swiss humor becomes obvious. To say it with the words of the museum: “Is it possible that the nothing is not nothing? The exhibition Nothing goes all-in and shows apparent nothingness in an unusual exhibition. We invite you on a journey with wonderfully surprising encounters – a journey to nothing!”

At 62,000 visitors, the Museum for Communication Bern sets a record in visitor numbers with “Nichts. Nothing. Riens.”. As many people as never before at the MfK Bern have seen this special exhibition.

In the museum shop of the MfK Bern, our posters, a special edition in shape of a collector’s folder (both limited editions) as well as a card game on the topic are available (in German and French only).

 

Tasks / Range of Services
Workshop conception and content, exhibition design and exhibition architecture, exhibition and media graphics, communication design, production monitoring

Details

• Duration: 10 November 2023
Fto 21 July 2024
• Where: Museum of Communication FBern, Switzerland
• Client: Museum of Communication FBern, Switzerland
• ca. 650 m²

Related Projects

• Out of Office, Hamburg
• The future quality of living, FHamburg
• Riots + New Beginnings, Bremen

Press

• BärnerBär
• Bärn Today
• Der Bund
• Museumsfernsehen
• Nau
• Radio Bern
• SRF Kultur
• SRF Tagesschau
• Thuner Tagblatt
• WIRED Italia

Design Process

Project Team

• Jens Imig
• Antoine Laurent
• Bianca Mohr
• Birgit Schlegel
• Gabriel Tecklenburg

Photography:
• gewerkdesign

Interactive Content System:
• iart– Studio für mediale Architekturen, Basel

Multimedia:
• Jean First
• Zita Bauer
• Alexandra Heini
• Kurt Stadelmann
• Franz Szekeres

Film:
• Sibylle Heiniger

Graphics, Layout & Typesetting:
• gewerkdesign

Exhibition Production:
• Patrik Ammann
• Daniel Bucheli
• Arjen Damen
• Giacomo Feurich
• Jean First
• Aurelio Galfetti
• Urs Hochuli
• Coline Jud
• Gratschi Josef Jud
• Theo Kämpfer
• Stefan Käsermann
• Basil Kraus
• Andreas Manecke
• Erich Marty
• Timo Müller
• Stefan Schmidlin
• Jan Stadelmann
• Roland Steiner
• Andri von Moos
• Paul von Moos
• Ueli Zingg

House of the Princess – A Whole State as a Garden

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House of the Princess, Wörlitz

Bust of Princess Louise of Anhalt-Dessau by Bartolomeo Cavaceppi

Background

The House of the Princess, also known as the Grey House, is the exhibition centre of the Dessau-Wörlitz Cultural Foundation. It was built in 1789 as the private retreat of Princess Louise Henriette Wilhelmine von Anhalt-Dessau, wife of Prince Leopold III Friedrich Franz. Before being inaugurated as exhibition centre in 2023, it was thoroughly modernized. Today, the House of the Princess contains a permanent exhibition showcasing 18th century landscaping as well as the princess’s significant art collection that not only conveys her deep understanding of art but also reflects her humanistic education and her knowledge of the discourse going on during her time, the enlightenment period. Numerous documents, letters and artworks prove her vast intellectual and societal activities. 

In addition to the permanent exhibition, changing special exhibitions take place at the House of the Princess. For this reason, gewerkdesign has devised the permanent exhibition with moveable elements so that it is possible to easily deinstall and reinstall the exhibition in accordance with current conservation standards and to store it efficiently. Maximal flexibility and highest-quality presentation of the exhibits were central factors in the exhibition design. gewerkdesign developed a discrete visitor routing, compact exhibition furniture, object cases and carts. The furniture enables the easy deinstallation of the exhibition and concurrently functions as depot architecture that ensures the storage to be in line with conservation standards. The graphic, material and colour concepts are based on historic styles, reflecting the feudal taste of the royal residence in a contemporary manner. A web-based app with audio guide explains the exhibition content with in-depth information in German and English as well as in a children’s version. The app was developed specifically for this commission by gewerkdesign in collaboration with the Berlin-based design studio Kulturbanause.

Tasks / Range of Services
General contractor, implementation planning, exhibition production, exhibition design, planning of the object presentation, exhibition graphics, information booklet, media graphics, app development

Details

• Opening: August 14, 2023
• Where: House of the Princess, Garden Kingdom of Dessau-Wörlitz
• Client: Dessau-Wörlitz Cultural Foundation
• Size: 1.000 m²

Similar Projects

• Georgium Palace, Dessau
• JMB on.tour, nationwide
• The Mobile Museum, all 53 district and independent cities of North-Rhine-Westphalia
• Eutin Castle, Eutin

Design Process

Team

• Jens Imig
• Costanza Rossi
• Marlene Schaefermeyer
• Birgit Schlegel

Production and Mounting
– Team Falko Riepe
– Team Rost (printing)
– Team Karo König (frame construction)
– Team Artavi (media)

App Development
• Team Kulturbanause Berlin

Photography
• gewerkdesign

JMB on.tour

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JMB on.tour van, <b>Jewish Museum Berlin, Photo: Yves Sucksdorff</b>

Cap "No Kippah? No Problem!"

Background

The mobile exhibition “JMB on.tour” is part of the Jewish Museum Berlin’s outreach program and will visit schools and youth centers nationwide with a revised concept. The aim of the project is to introduce children and teenagers, who do not have the opportunity to visit the actual museum, to Jewish culture, history and modern jewish life in a contemporary, playful manner. By placing greater emphasis on the history of relationships and diversity within Jewish history and culture – for example, with regard to religion, gender, sexuality and Jewish biographies – as well as experiences of discrimination, the exhibition content, jewish perspectives and experiences become more relatable, even to participants without any contact to jewish people or culture.
The design of the mobile exhibition aims to be as accessible as possible and to encourage participation. The multisensory exhibition modules offer playful, surprising and easy-to-understand access and still leave room for the experiences and comments of the workshop participants. Texts in simple language explain what each module is about. By means of magnets the exhibits are attached to metal graphic panels, which supplement them with explanatory texts. This allows participants to touch and interact with them, while ensuring that everything stays in place when the exhibition is transported. The exhibition elements are produced sustainably, easy to transport and designed to be long-lasting. They can be set up quickly and adapted to the respective local conditions. Thus, with little effort, they generate a mobile pedagogical-museum space.

Tasks / Range of Services
Basic evaluation, exhibition concept, exhibition design and planning, execution planning, participation in awarding contracts and production management, construction management, hands-on development, exhibition graphics

Details

• Opening: September 2022
• Where: Nationwide
• Client: Jewish Museum Berlin
• Size: 40 m², Packing volume: 2,5 m³

Similar projects

•  Mobile Museum, North Rhine-Westphalia
•  Our Courage, Frankfurt and Berlin

Design Process

Team

• Victor Reichert
• Gabriel Tecklenburg
• Jens Imig
• Sebastian Franke
• Sinem Özer
• Marie Teigler

Production and Mounting
• Team Falko Riepe

Photography
• gewerkdesign
• Jewish Museum Berlin, Yves Sucksdorff

75 Years of North Rhine-Westphalia – The Mobile Museum

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Exhibition Opening, <b>Aachen</b>

Trimmy, Mascot of the German Sports Federation's "Trimm dich" movement

Background

Following the anniversary exhibition “OUR STATE. 75 Years of North Rhine-Westphalia” at the House of History NRW, the Mobile Museum will tour the state as a mobile exhibition for at least four years. Visitors are invited to take part in writing the history of their state by contributing their own exhibits, sharing memories and entering into dialogue with each other. The interactive museum consists of three modules: the exhibition depot in a high-quality High Cube overseas container, equipment in the form of mobile showcases and hands-on stations, and pop-up elements for in-depth discourse. The centerpiece of the Museum Mobil, however, is the container. It is both an exhibition space and an object itself. With the key visual designed for the project in the national colors and a contemporary interpretation of the coat of arms symbols – horse, Rhine and rose – it also draws attention to itself during the journey from place to place and thus brings the museum into the public sphere. The Mobile Museum’s claim – transparency, openness, animation for participation and exchange – runs through the entire design. Inside the exhibition space, a display case system with varying depths constantly rearranges the collection of exhibits and thus also formally picks up on the dynamic character of the constantly growing archive as well as the diversity of the exhibits and their donors. With the help of specially developed Internet-based software, tablets ensure that the background information on the constantly added exhibits is digitally updated.

Tasks / Range of Services
Exhibition design and architecture, implementation planning, exhibition graphics, media, general contractor, site management, concept development for the display

Details

• Opening: October 2022
• Where: All 53 districts and independent cities of North Rhine-Westphalia
• Client: House of History NRW, State Parliament of North Rhine-Westphalia
• Size: 13 m² + 100 m² outdoor area

Similar Projects

• OUR STATE. 75 Years of North Rhine-Westphalia, Anniversary Exhibition
• Willy Brandt, Traveling Exhibition

Press

• General-Anzeiger
• Presseportal
• Rheinische Post
• Die Zeit

Design process

Team

• Stefan Rothert
• Julia Junghänel
• Gabriel Tecklenburg
• Janine Iser
• Antoine Laurent
• Sinem Özer
• Adele Heymann
• Carsten Saalmann

Production and Mounting
• Team 235 MEDIA
• Team P.O.S. Werbeproduktion GmbH & Co KG
• Team hertzer GmbH
• Team Artdepartment Berlin GmbH
• Team Zehnpfennig, Weber u. Taylor GbR

Photography
• gewerkdesign
• House of History NRW
• Andreas Lange

Establishment of Georgium Palace as the museum of the Anhalt Painting Gallery

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Georgium Palace, Anhalt Picture Gallery, <b>Dessau-Roßlau</b>

Dutch cabinet from the 17th Century

Background

Georgium Palace in Dessau has not always accommodated the Anhalt Painting Gallery. It only moved into the palace in 1959, after being housed in the Palais Reina in Dessau, which was destroyed in the war. The history of the palace and that of the painting collection could not be more different: here a palace, first built as a small summer palace for Prince Johann Georg von Anhalt-Dessau (who gave the Palace its name) and intended for private living, there a collection that grew together from several estates into a great treasure for Dessau as a public collection.

When it was decided to modernize Schloss Georgium and adapt it to the current standards of a painting gallery, gewerkdesign was brought in as a consulting partner for the gallery’s refurbishment in 2014. The result is a museum concept that divides the three levels of the building into different usage concepts: On the first floor, functional rooms such as the checkroom, toilets, a lecture hall and reception await the visitors supplemented by a “historical tour” through the history of the house, the Georgen-garden and the history of the collection. The main part of the painting collection will be exhibited on the 1st floor, while graphic works will hang mainly in the mezzanine. In order to keep the hanging of the paintings in the landmark castle flexible, colored wear walls have been hung on the existing walls, which slow down the climate change from the exterior to the interior and protect the paintings by providing a stable temperature. The furniture of the house is part of a series designed by gewerkdesign. The substructure made of delicately processed metal as well as the colored upholstery of the seats takes up the historical furnishing of the house.

A minimalist sign system guides the way through the house. The thematic division of the rooms is also designed in a restrained manner; the paintings are to be the focus. Each room is given a lettering of the respective period in milled letters. Information on the artistic works can be obtained by the visitors from object signs, which are mounted underneath the wear walls. This ensures the greatest possible auratic effect of the paintings in interaction with the color scheme of the walls surrounding them. The thematic rooms on the ground floor have been equipped with media tables. Interactive stations and hands-on exhibits invite active participation. The corporate design with a strong signet and word brand in black on white or yellow leaves room for the great collection. In the future, further information about the castle and the collection will be available individually via a web-based app.

Tasks / Range of Services
Design and consulting of exhibition architecture and utilization concept, design and planning of thematic rooms, execution planning, exhibition production, project management, hands-on development (media) and production, exhibition graphics, guidance system in the castle, corporate design, design web and webAPP

Details

– Opening: autumn 2022
– Location: Georgium Palace, Anhalt Painting Gallery, Dessau
– Client: Foundation, Office for Culture Dessau-Roßlau
– Size: 1.989 m²

Design Process

Team

• Jens Imig
• Bianca Mohr
• Birgit Schlegel
• Carsten Saalmann
• Thilo Albers
• Julia Junghähnel
• Jens H. Lohmann
• Michael Lorenz, Graphscape (cashier system, media, website)
• Claudia Wagner, vogelfrei-design (illustrations)

Exhibition production and mounting
• Gemelo GmbH (media)
• Tischlerei Carsten Gräubig
• Rost Werbetechnik (print)
• Joseph Hirsch (metal signs)
• Büchner Möbel (furniture)
• Team Falko Riepe (wear walls)
• Janusz Kruszewski (model)
• Paul Göschel (light)

Architecture
• cuboidoo architects BDA

Photography
• Christoph Musiol

Up to Space

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Universum Bremen

Moon dust

Background

»Hurrah ! Hurrah!« exclaimed Michel Ardan and Nicholl in one voice. Indeed, this thick darkness proved that the projectile had left the earth, for the soil, brilliantly lit by the moonbeams, would have been visible to the travellers, if they had been lying on its surface. This darkness also showed that the projectile had passed the atmospheric strata, for the diffused light spread in the air would have been reflected on the metal walls, which reflection was wanting. This light would have lit the window, and the window was dark. Doubt was no longer possible; the travellers had left the earth. (Jules Verne, Around the Moon, 1869)

The special exhibition „Up to Space“ at the Universum® Bremen presents the future and present state of astronautical space travel. Virtual journeys into space and to the moon, everyday-life at the International Space Station (ISS), real moon dust, and the sensation of zero gravity can be experienced during a visit to the exhibition. Interactive exhibits facilitate the learning experience. The aesthetic materials, coloured lights, and real space technology create an atmosphere, in which the boundaries between exhibition and its visitors vanish. They are being sent on a journey to space and back. From Bremen, the exhibition will travel to the Musée de l’Air et de l’Espace in Paris.

Tasks / Range of Services
Exhibition design and planning, exhibition graphics and info graphics, implementation planning, concept development and design of the display, preparation / participation in the commissioning process, project and production management, preparation of the exhibition tour

Details

• Opening: 27. October 2020
• Where: Universum Bremen, Bremen
• Client: Universum Managementges. FmbH
• 650 m²

Related projects

• Science + Fiction, Hannover and Fother cities
• Out Of Office, Hamburg
• Open Up!, Berlin and Kiel

Design Process

Team

• Jens Imig
• Victor Reichert
• Julia Junghänel
• Janine Iser
• Gabriel Tecklenburg

Exhibition production and mounting
• Falko Riepe

Print production

• Radebeuler Machwerk

Photography

• gewerkdesign: Kate Riep

Boundless – Colonialism, Industry and Resistance

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Museum of Work, Hamburg

Exhibition graphic

Background

This exhibition at the Museum of Work in Hamburg tackles a current and controversial topic. Its title, “Boundless – Colonialism, Industry and Resistance” highlights the close ties between Hamburg’s industry and European colonialism and the long-term consequences of colonial structures of rule. The exhibition takes a look at the entire history of German colonial and post-colonial structures, from its beginning around 1830 until today. The processing of raw materials is illustrated by four Hamburg factories. The show demonstrates how the products exhibited here and their consumption are connected to the working and living conditions in the countries supplying the raw materials.

The visitors are greeted with a film installation created in collaboration with filmmaker Sonja Collison. The footage, in reference to the exhibition, spans a cinematic arc between the past and present of colonial history and today’s debate on racism. The appearance of the alley of raw materials following the film presentation is dedicated to museum depots: high shelves filled with both historical and current everyday products made from various colonial raw materials. Here, visitors learn how a hard rubber comb and a stearin candle from a manufacture in Barmbek are connected to the exploitation of people and natural resources in Congo or Samoa. They also see the faces of resistance to these colonial structures and their consequences. Printed on long pieces of fabric hanging from the ceiling, the visitors are repeatedly confronted with silhouettes of anonymous and well-known resistance fighters, current black authors, scientists, and artists.

In addition to exhibition design and layout, gewerkdesign conceived the graphics accompanying the exhibition with illustrations by artist Diana Ejaita.

Tasks / Range of Services
Exhibition design and planning, implementation planning, commissioning to subcontractors as a general contractor, concept development for the display, exhibition production, project management and consulting project development, exhibition graphics; graphics for key visual, flyer and poster

Details

• Opening: 29. September 2020
• Where: Museum of Work, Hamburg
• Client: Foundation Historische FMuseen Hamburg
• 650 m²

Related projects

• Out Of Office, Hamburg
• The future quality of living in Altona, FHamburg

Design process

Team

• Jens Imig
• Birgit Schlegel
• Bianca Mohr
• Franziska Schuh
• Costanza Rossi
• Amelie Neb
• Sinem Özer
• Antoine Laurent
• Gabriel Tecklenburg
• Alexandra Zackiewicz

Illustration
• Diana Ejaita

Film installation
• Sonja Collison

Exhibition production and mounting
• the workshop team of Museum of Work
• Uwe Sinkemat
• Rudi Poetsch

Photography
• gewerkdesign: Kate Riep

Our Courage. Jews in Europe 1945–48

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Jewish Museum Frankfurt

Zeilsheimer DP camp newspaper Undzer Mut, December 1946

Background

With its eleven essays, city portraits, personal portraits, and numerous illustrations, the catalogue describes the diversity of Jewish experiences in the years following the war. Taking a pan-European, transnational perspective, the book gives an account of how Jewish survivors and refugees actively took their fate into their own hands after the breakdown of civilizations. It relates their search for surviving relatives, their organising their emigration, rebuilding their social networks and their communities, as well as their demanding justice, restitution, and the documentation of the Nazi crimes.

Tasks / Range of Services
cover and flyleaf design, typography concept, layout

Details

• published: September 2020
• publishing House: De Gruyter FOldenbourg
• editor: Jewish Museum Frankfurt
• catalogue accompanying the Fexhibition »Our Courage. Jews in FEurope 1945-48« at the Jewish FMuseum Frankfurt
• 358 pages, ca. 200 illustrations Fprinted in duplex mode
• containing essays by Kata Bohus, FWerner Hanak, Mirjam Wenzel and FAtina Grossmann

Related projects

• Flight and Metamorphosis, Nelly FSachs, writer, Berlin
• STASI, State Security in the SED-FDictatorship
• Pills and Pipettes, The chemical Fpharmaceutical industry

Design process

Team

• Birgit Schlegel

Photography
• gewerkdesign

World of Media – Radio Bremen 75 years

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Focke Museum, Bremen

Historical microphone from the early days of the broadcasting agency

Background

The year 2020 will be a celebration for the Hanseatic City of Bremen: Radio Bremen turns 75! The Focke Museum contributes to the festivities with a special exhibition: „Medienwelten – The World of Media“ shows the development of the regional public broadcasting agency Radio Bremen – its past, present, and future – and gives an analysis which can be applied to all the media development in Germany. The exhibition also contemplates what media means to us: on average, we spend seven hours a day with radio, television, and internet. The way we use these media varies widely. Statistics of current media usage can be accessed on interactive HandsOn exhibits, encouraging the visitors to reflect on their own media consumption and habits. With its 800 sqm, the participatory and inclusive exhibition is divided into three chapters. An elaborate walk-in media centre made of sound, film, light, and original documents takes the visitors on a journey through 75 years of Radio Bremen’s programs. Another chapter is the so-called “Schnittstelle” – an open intersection with numerous HandsOn exhibits inviting the visitors to dig deeper into the material. The third chapter, the Studio, offers audio and media exhibits, a green screen, an assembly of facts on a large wall, and the “Talking Heads”: four life-size monitors. On all levels, the visitors are encouraged to become media experts themselves and blend into the interactive exhibition.

Tasks / Range of Services
Exhibition design and planning, exhibition graphics, planning concept, commissioning to subcontractors as a general contractor, design and planning of media, exhibits’, and HandsOn exhibits’ display, project and production management, graphics

Details

• Opening: 25. September 2020
• Where: Focke-Museum, Bremen
• Client: Focke Museum, Bremer FState Museum for Art and Cultural FHistory
• 800 m²

Related projects

• 100! Jahre Uni HH, Hamburg
• Open Up!, Berlin
• Out Of Office, Hamburg

Design process

Team

• Jens Imig
• Julia Junghänel
• Victor Reichert
• Sinem Özer
• Alexandra Zackiewicz

Cooperation
• Uwe Sinkemat
• Jean Fürst
• Raudies

Photography
• gewerkdesign: Alexandra Zackiewicz