Category: Graphic

Fit in the Forest – Health Trail in Berlin’s Grunewald Forest

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Forestry district Dachsberg, Grunewald Forest

FiF Logo

Background

In cooperation with the Berlin Forests (Berliner Forsten) and sports scientists of the Sports Health Park Berlin (Sport-Gesundheitspark Berlin e.V.), gewerkdesign has designed a 1.4 km long public health trail with 14 outdoor devices made of sustainable materials in the Dachsberg forest district in Berlin’s Grunewald.
At the time of the commission, the fitness trail, formerly known as “Trimm-dich-Pfad” (Trim Yourself Trail), was almost 20 years old and in urgent need of redesign. The former name also conveyed problematic body images and social claims. The newly designed trail “Fit im Forst” (Fit in the Forest) however, is primarily intended to prevent the most common diseases caused by lack of exercise, to encourage spending time in nature and to promote a generally health-conscious lifestyle.

By choice of materials and the location of production, the project pursues a sustainable approach, and a social mission of health education and participation. The health trail was built in an area of Berlin’s Grunewald forest that is a designated landscape conservation area as well as a flora-fauna-habitat (FFH) and bird sanctuary (SPA). The use of reversible ground anchors, instead of concrete foundations, as fixation for the sports equipment, ensures the protection of the landscape, as there is no permanent interference with the soils, and thus flora and fauna. Graphic figures, explain the exercises and in each case specific disease prevention. Their illustration style is gender-neutral and physically rather average-looking, the didactics low-threshold and through the accompanying mascot of the district, the badger, easy going in terms of mediation.
The natural oak wood comes from sustainable and regional forestry in Brandenburg. The unvarnished stainless steel is extremely durable and 100% recyclable. Synthetic and composite materials are dispensed with entirely. The extended relaxation phases between the stations invite the visitors to explore the nature reserve and recreation area and also contribute to mental relief.

Portfolio / Range of Services

Determination of basic principles, management of workshops, conception of sports equipment and exercises, equipment design, graphic design, implementation planning, guidance system

Details

• Opening: May 15, 2023
• Where: Forestry district Dachsberg, Paulsborn, Berlin
• Client: Berlin Foresters, Sports Health Park Berlin
• Length: 1.4 km

Similar Projects

• Wald.Berlin.Klima., Berlin

Design Process

Team

• Julia Junghänel
• Antoine Laurent
• Stefan Rothert
• Gabriel Tecklenburg

Production and Mounting
• Team Falko Riepe

Photography
• gewerkdesign

Establishment of Georgium Palace as the museum of the Anhalt Painting Gallery

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Georgium Palace, Anhalt Picture Gallery, <b>Dessau-Roßlau</b>

Dutch cabinet from the 17th Century

Background

Georgium Palace in Dessau has not always accommodated the Anhalt Painting Gallery. It only moved into the palace in 1959, after being housed in the Palais Reina in Dessau, which was destroyed in the war. The history of the palace and that of the painting collection could not be more different: here a palace, first built as a small summer palace for Prince Johann Georg von Anhalt-Dessau (who gave the Palace its name) and intended for private living, there a collection that grew together from several estates into a great treasure for Dessau as a public collection.

When it was decided to modernize Schloss Georgium and adapt it to the current standards of a painting gallery, gewerkdesign was brought in as a consulting partner for the gallery’s refurbishment in 2014. The result is a museum concept that divides the three levels of the building into different usage concepts: On the first floor, functional rooms such as the checkroom, toilets, a lecture hall and reception await the visitors supplemented by a “historical tour” through the history of the house, the Georgen-garden and the history of the collection. The main part of the painting collection will be exhibited on the 1st floor, while graphic works will hang mainly in the mezzanine. In order to keep the hanging of the paintings in the landmark castle flexible, colored wear walls have been hung on the existing walls, which slow down the climate change from the exterior to the interior and protect the paintings by providing a stable temperature. The furniture of the house is part of a series designed by gewerkdesign. The substructure made of delicately processed metal as well as the colored upholstery of the seats takes up the historical furnishing of the house.

A minimalist sign system guides the way through the house. The thematic division of the rooms is also designed in a restrained manner; the paintings are to be the focus. Each room is given a lettering of the respective period in milled letters. Information on the artistic works can be obtained by the visitors from object signs, which are mounted underneath the wear walls. This ensures the greatest possible auratic effect of the paintings in interaction with the color scheme of the walls surrounding them. The thematic rooms on the ground floor have been equipped with media tables. Interactive stations and hands-on exhibits invite active participation. The corporate design with a strong signet and word brand in black on white or yellow leaves room for the great collection. In the future, further information about the castle and the collection will be available individually via a web-based app.

Portfolio / Range of Services:

Design and consulting of exhibition architecture and utilization concept, design and planning of thematic rooms, execution planning, exhibition production, project management, hands-on development (media) and production, exhibition graphics, guidance system in the castle, corporate design, design web and webAPP

Details

– Opening: expected in autumn 2022
– Location: Georgium Palace, Anhalt Painting Gallery, Dessau
– Client: Foundation, Office for Culture Dessau-Roßlau
– Size: 1.989 m²

Design Process

Team

• Jens Imig
• Bianca Mohr
• Birgit Schlegel
• Carsten Saalmann
• Thilo Albers
• Julia Junghähnel
• Jens H. Lohmann
• Michael Lorenz, Graphscape (cashier system, media, website)
• Claudia Wagner, vogelfrei-design (illustrations)

Exhibition production and mounting
• Gemelo GmbH (media)
• Tischlerei Carsten Gräubig
• Rost Werbetechnik (print)
• Joseph Hirsch (metal signs)
• Büchner Möbel (furniture)
• Team Falko Riepe (wear walls)
• Janusz Kruszewski (model)
• Paul Göschel (light)

Architecture
• cuboidoo architects BDA

Photography
• Christoph Musiol

OUR STATE. 75 Years of North Rhine-Westphalia

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Exterior view of the Behrensbau (© Stiftung Haus der Geschichte Nordrhein-Westfalen, Axel Thünker)

Window of St. Lambertus Church in Erkelenz-Immerath

Background

That one of the most modern office buildings of its time – rationally built, light and flexibly divisible – would house an exhibition a good 110 years after it was constructed, this is something that architect Peter Behrens probably wouldn’t have thought likely. The design concept’s proposition for NRW’s anniversary exhibition: an environment in which visitors can relax and engage with the exhibition can only be created according to, not against, the original architectural concept. This means that fixtures and signs are allowed to have a temporary appearance – flexible like the former office floors – that lines of sight remain unobstructed and that the path through the exhibition is clear.

Visitors enter the rather sober looking building on the Rhine promenade through a bright green portal. They enter a foyer that even today achieves an “artistic effect … with simple material and simple design” (*1). Elaborating on this idea, a 270° media installation about places and current everyday life in NRW, projected directly onto the marble surfaces below the gallery, sets the mood for visiting the exhibition.

On the 1st floor gallery, large, backlit images fitted into the wall niches introduce challenges which the federal state of NRW currently faces. Following this introduction, these challenges are discussed in the 8 exhibition chapters. The gridded appearance of the images is characteristic for the introduction as well as the subsequent chapters: it provides orientation and marks spatial and thematic changes.

The scenography of the 8 exhibition areas matches their respective narrative focus. For example is the “Danger” area furnished with intersected walls, thus supporting the chapter’s deconstructive atmosphere. The fixtures of each area are of the same colour spectrum – the colour concept comprises a total of 33 different colours – and by this combine information and narrative media with the area’s individual colour and impression. The exhibition is structured by its main texts, printed in the exhibition’s overall colour “luminous green”, the exhibit labels, printed on panels of the areas’ individual colours, and info graphics, which are designed in a consistent style throughout the exhibition. The distinctively gridded image style is also repeated in the exhibition’s key visual featuring the symbols of NRW’s coat of arms. Thus, the exhibition’s historical content is presented in a modern graphic style. Developed in cooperation with the client, the exhibition’s holistic design concept combines space, graphics, and external presentation. It subtly supports the visitors’ feeling of having successfully mastered the challenges of the last 75 years.

*1: from Peter Behrens’ inaugural address, Festschrift Mannesmann Röhren Werke, 1912

Portfolio / Range of Services

Commissioned as general contractor for all services, exhibition design and planning, implementation planning, concept development for the display, interior design of the service areas, exhibition production, project management and consulting project development, multimedia design, design and user interface of the media guide, concept and design of the media installation on the front of the building, development and production of the HandsOn-displays, exhibition and media graphics, signage, tactile guidance system

Details

• Opening: 26 August 2021
• Where: Behrensbau, Düsseldorf
• Client: Parliament of North Rhine-FWestphalia
• 1.200 m², incl. service areas ca F2.000 m²

Similiar projects

• 100! Universität Hamburg Past and FPresent , Hamburg
• The Luther Effect , Berlin
• Friederisiko. Frederick the Great , FPotsdam

Design process

Team

• Stefan Rothert
• Jens Imig
• Bianca Mohr
• Janine Iser
• Julia Junghänel
• Yunus Kleff
• Marlene Schaefermeyer
• Antoine Laurent
• Gabriel Tecklenburg

Exhibition production and mounting
• i.xpo, Kaarst

Lighting
• lichttransfer, Berlin

Media production and technical support
• Eidotech GmbH, Berlin
• 235 Media, Köln
• framegrabber GmbH, Hamburg
• Kulturbanause, Berlin

Graphics production
• MegaLab GmbH, Köln
• i.xpo, Kaarst

Showcase set-up
• Zehnpfennig und Weber, Berlin

Typography composition and picture editing
• vogelfrei Design, Berlin

Media editing
• Larissa Blau, Berlin

Translation
• David Ward, Berlin
• Ingrid Dixon, Gloucestershire, UK

Photography
• Christoph Musiol

Our Courage. Jews in Europe 1945–1948

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Jewish Museum Frankfurt, external view

Photo album of the »Katset Teaterim«, a Yiddish theatre project founded 1945 at the DP camp Bergen-Belsen

Background

 

Portfolio / Range of Services

Exhibition design and planning, implementation planning and management, management of the restricted tendering process, concept development and implementation of media installations, exhibition graphics, posters, brochures, catalogue and digital formats

Details

• Opening: 31. August 2021
• Where: Jewish Museum Frankfurt
• Client: Jewish Museum Frankfurt
• 600 m²

Related projects

• Boundless, Hamburg
• 100!, Hamburg
• A Memorial made of Paper, Bad FArolsen

Design process

Team

• Jens Imig
• Birgit Schlegel
• Bianca Mohr
• Takaya Kobayashi
• Alexandra Zackiewicz
• Costanza Rossi
• Franziska Schuh

Sound

• Peter Imig

Multimedia
• Graphscape

Construction and Printing
• Fa. Schreiber, Frankfurt

Photography
• Jewish Museum Frankfurt: Norbert Miguletz

Münchner Platz Memorial, Dresden

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Münchner Platz Memorial, external view

After his release from prison 1934, the communist artist Fritz Schulze (1903 – 1942) created the linocut „Gefängnisrundgang“, Prison Tour.

Background

As a former place of trial, a prison and an execution site, the Münchner Platz Memorial in Dresden commemorates the victims of political criminal justice during the National Socialist dictatorship, the Soviet occupation, and the early GDR. Since 2012, the memorial presents to its visitors the permanent exhibition Verurteilt. Inhaftiert. Hingerichtet. Politische Justiz in Dresden, which is dedicated to the role of the judicary during 1933-1945 and 1945-1957, and to the events on this particular site. A visitor information and signage system on the grounds and in the surrounding buildings, designed by gewerkdesign, provides information about the history of the different buildings on this site, thus marking historical traces and pointing out where the events described actually took place. The 19 text and picture panels report on the function of the specific buildings at the time, on how the memorial came about, and on the biographies of the convicts. All texts are in both German and English.

Portfolio / Range of Services

Design, planning and implementation of the visual visitor information system and reference system, supervising and coordinating the production of the graphics and printings, brochures, preparation / participation of the commissioning process

Details

• Opening: August 2021
• Where: Münchner Platz Memorial, FDresden
• Client: Stiftung Sächsische FGedenkstätten
• 5800 m²

Related projects

• Ökodorf Brodowin, Brandenburg
• Berlin Wall Trail, Berlin
• Hannover Garden Region, Hannover

Design process

Team

• Jens Imig
• Birgit Schlegel
• Costanza Rossi

Print production
• Hertzer GmbH

Photography

• Münchner Platz Memorial Dresden: Ellen Schwalbe

Boundless – Colonialism, Industry and Resistance

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Museum of Work, Hamburg

Exhibition graphic

Background

This exhibition at the Museum of Work in Hamburg tackles a current and controversial topic. Its title, “Boundless – Colonialism, Industry and Resistance” highlights the close ties between Hamburg’s industry and European colonialism and the long-term consequences of colonial structures of rule. The exhibition takes a look at the entire history of German colonial and post-colonial structures, from its beginning around 1830 until today. The processing of raw materials is illustrated by four Hamburg factories. The show demonstrates how the products exhibited here and their consumption are connected to the working and living conditions in the countries supplying the raw materials. The visitors are greeted with a film installation created in collaboration with filmmaker Sonja Collison. The footage, in reference to the exhibition, spans a cinematic arc between the past and present of colonial history and today’s debate on racism. The appearance of the alley of raw materials following the film presentation is dedicated to museum depots: high shelves filled with both historical and current everyday products made from various colonial raw materials. Here, visitors learn how a hard rubber comb and a stearin candle from a manufacture in Barmbek are connected to the exploitation of people and natural resources in Congo or Samoa. They also see the faces of resistance to these colonial structures and their consequences. Printed on long pieces of fabric hanging from the ceiling, the visitors are repeatedly confronted with silhouettes of anonymous and well-known resistance fighters, current black authors, scientists, and artists.

In addition to exhibition design and layout, gewerkdesign conceived the graphics accompanying the exhibition with illustrations by artist Diana Ejaita.

Portfolio / Range of Services
Exhibition design and planning, implementation planning, commissioning to subcontractors as a general contractor, concept development for the display, exhibition production, project management and consulting project development, exhibition graphics; graphics for key visual, flyer and poster

Details

• Opening: 29. September 2020
• Where: Museum of Work, Hamburg
• Client: Foundation Historische FMuseen Hamburg
• 650 m²

Related projects

• Out Of Office, Hamburg
• The future quality of living in Altona, FHamburg

Design process

Team

• Jens Imig
• Birgit Schlegel
• Bianca Mohr
• Franziska Schuh
• Costanza Rossi
• Amelie Neb
• Sinem Özer
• Antoine Laurent
• Gabriel Tecklenburg
• Alexandra Zackiewicz

Illustration
• Diana Ejaita

Film installation
• Sonja Collison

Exhibition production and mounting
• the workshop team of Museum of Work
• Uwe Sinkemat
• Rudi Poetsch

Photography
• gewerkdesign: Kate Riep

Our Courage. Jews in Europe 1945–48

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Jewish Museum Frankfurt

Zeilsheimer DP camp newspaper Undzer Mut, December 1946

Background

With its eleven essays, city portraits, personal portraits, and numerous illustrations, the catalogue describes the diversity of Jewish experiences in the years following the war. Taking a pan-European, transnational perspective, the book gives an account of how Jewish survivors and refugees actively took their fate into their own hands after the breakdown of civilizations. It relates their search for surviving relatives, their organising their emigration, rebuilding their social networks and their communities, as well as their demanding justice, restitution, and the documentation of the Nazi crimes.

Portfolio / Range of Services
cover and flyleaf design, typography concept, layout

Details

• published: September 2020
• publishing House: De Gruyter FOldenbourg
• editor: Jewish Museum Frankfurt
• catalogue accompanying the Fexhibition »Our Courage. Jews in FEurope 1945-48« at the Jewish FMuseum Frankfurt
• 358 pages, ca. 200 illustrations Fprinted in duplex mode
• containing essays by Kata Bohus, FWerner Hanak, Mirjam Wenzel and FAtina Grossmann

Related projects

• Flight and Metamorphosis, Nelly FSachs, writer, Berlin
• STASI, State Security in the SED-FDictatorship
• Pills and Pipettes, The chemical Fpharmaceutical industry

Design process

Team

• Birgit Schlegel

Photography
• gewerkdesign

Atlas – Art project by Aris Fioretos, sound artist Peter Imig & gewerkdesign

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Moderna Museet Stockholm

Atlas carrying a cloud

Background

»Atlas« is a three-dimensional cosmos, an imaginary world of literature. »Atlas« is an extensive work of art in the form of a book. The project is a cooperation between the Swedish writer Aris Fioretos and the design company gewerkdesign. Additionally, 24 selected chapters of Fioretos’ book were translated into sound collages by the musician Peter Imig. The project examines how events from history can be converted into stories, how fiction can become a fact. Evidence and prose, insight and argument are being intertwined into something resembling a pair of rolled-up socks, of which Walter Benjamin once said, that their form and content couldn’t be separated from one another. The elaborate book as well as the illustrations of the numerous protagonists were designed by gewerkdesign.

Portfolio / Range of Services
Exhibition design and planning, implementation planning, general contractor, concept development for the display, exhibition production, project management, exhibition graphics, sound production and sound installation, logistics and transport

Details

• Opening: 25. October 2019
• Where: Moderna Museet, FStockholm
• Material: wood pulp, finnboard and Fpaper, beechwood, wood glue, Felectronic elements
• 75 m²

Related projects

• Aris Fioretos: Mary, book design
• As long as I’m alive death won’t get Fme, book design
• Flight and Metamorphosis, Nelly FSachs, catalogue and print design

Design process

Team

• Katharina Erben
• Jens Imig
• Peter Imig
• Takaya Kobayashi
• Birgit Schlegel
• Alexandra Zackiewicz

Production and mounting
• Jörgen Pisarz
• Riccardo Falletta
• Aufbauteam Moderna Museet

Photography
• gewerkdesign

100! – Universität Hamburg Past and Present

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  • Foto: Karin Plessing u. Reinhard Scheiblich, Hamburg

Main hall at the Universität Hamburg

Holy scripture of the Sikh religion from the department of culture and history of India

Background

The University of Hamburg is celebrating its 100th anniversary in 2019. Honouring this anniversary, a 300 square metre permanent exhibition about the scientific institution’s eventful past was put on display at the university museum’s main building. The exhibition approaches the past and present of the university in two different ways: on the one hand through a timeline with many previously unpublished photographs of everyday university life. In addition to this, numerous thematic displays present the topic from a different angle. Exhibits from the university’s different departments bear witness to the many different aspects of university life. An interactive column in front of the main hall welcomes the visitors with a sound collage assembled from 100 years of the university’s history. The exhibition itself also is interactive: the visitors can influence exhibits, people, and sounds from the university presented to them via sensors. A media guide supplements the exhibits and exhibition texts, offering a digital tour and a plethora of background material. gewerkdesign won the design competition for design and the mounting of the exhibition as well as the design of the exhibition catalogue.

Portfolio / Range of Services
Exhibition design and planning, planning of the statutory approvals, implementation planning, preparation/participation in the commissioning process, design, concept development for the display, exhibition production, exhibition graphics, graphics exhibition catalogue

Details

• Opening: 24. September 2019
• Where: University Museum FHamburg
• Client: Universität Hamburg
• 350m²

Related projects

• ZBW – “Open Up!”, Kiel
• Out Of Office, Hamburg
• Sugars and Beyond!, Berlin

Design process

Team

• Jens Imig
• Riccardo Falletta
• Bianca Mohr
• Costanza Rossi
• Birgit Schlegel
• Franziska Schuh
• Claudia Wagner
• Alexandra Zackiewicz

Media and programming
• Jörgen Pisarz, artavi

Photography
• gewerkdesign

Hiking trails around Brodowin

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A signage system for Brodowin eco-village

Brodowin's boulders, rocks, and stones

Background

The signage system around Brodowin village aims to blend into nature and the landscape, creating awareness for what is there. It doesn’t merely guide the groups of visitors but wants to provide help to better understand Brodowin, the scenery surrounding the village, Brodowin’s organic farming, its history, and its inhabitants. It serves to enrich the experience of those who would like to explore the nature reserve attentively and respectfully. The boulder stone symbolising both the scenery and the village that was founded here, stone is a material deeply rooted in the scenery surrounding Brodowin. The boulders contain information and provide seating space and climbing adventures for children of all ages. Large, round, paint coated metal signs leaning against the rocks show maps and provide information on the three hiking trails and two nature trails that wait to be explored. Smaller metal signs embedded into the boulders provide additional information, such as the code of behaviour for the nature reserve, orientation, or brief information about animals, plants, or the work of the Brodowin eco-village society.

Portfolio / Range of Services: Compiling and developing the exhibition’s content in workshops, graphic design of the signage system, design of the different types of signs and their mounting structure, planning concept, supervision of the production, services 1-9

Details

• Opening: 28.04.2019
• Client: Ökodorf Brodowin e.V.
• 17 km hiking trail

Related projects

•  Wald. Berlin. Klima, Berlin

Design process

Team

• Birgit Schlegel
• Henning Humml
• Stefan Rothert
• Sebastian Franke

Production and Mounting
• Falko Riepe

Illustration
• Henning Humml

Photography
• gewerkdesign