Tag: history

Tabak Collegium Oranienbaum

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Collector’s residence, Oranienbaum Castle, Dessau

Mouth piece of a meerschaum pipe (Sepiolith), late 19th century

Background

Visitors to the »collector’s residence« are literally treated as if they had been invited into the home of a tobacco lover who in his private rooms and adjoining workshop collects machines, tools and memorabilia associated with the history of the tobacco industry in Oranienbaum.

As the host appears to have just left the building, visitors are free to relax in his living room while sitting in his elegant leather armchairs, browsing through his books, or admiring his collection. The private atmosphere is enhanced by black Dutch Design readymade-furniture assembled from both antique and new parts.

Portfolio / Range of Services: exhibition scenography, graphic design, production management

Details

• Opening: December 2013
• Exhibition site: Collector’s residence,
FOranienbaum Castle, Dessau
• Client: Cultural Foundation
Fof the Garden Kingdom
Fof Dessau-Wörlitz
• 480 m²

Related projects

• Prussia & Saxony – Scenes
Ffrom a relationship between
Fneighbours
• Friederisiko. Frederick
Fthe great
• World heritage –
FVisitor centre Wismar

Design process

Team

• Jens Imig
• Birgit Schlegel
• Costanza Rossi
• Marlene Schaefermeyer
• Tania Sívertsen

Wood works
• Dirk Scheuerling und Peter Neumann, Zimmerservice Berlin

Photography
• gewerkdesign

Friederisiko. Frederick the Great

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New Palace and Sanssouci Park, Potsdam

The castellan’s key

Background

The exhibition in Sanssouci Park’s New Palace invites the visitors to explore the approximately 6000 m2 of exhibition space and learn about the life and times of Frederick the Great. They are free to stroll along a mulberry coloured path, which has been installed on top of the palace’s historic floors. This path protects the floors against wear and tear and simultaneously provides space for the supply and utility lines necessary for the presentation of the more than 600 exhibits.

The New Palace was the last palace built by Frederick the Great. Having significantly contributed to the palace’s appearance himself, the building is thus an expression of his taste and character. In view of this, the design for each of the exhibition’s nine narrative chapters makes different kinds of comments on the surrounding architecture.

Portfolio / Range of Services: Service phases 1-9, exhibition design and implementation, approval planning, implementation planning, preparation and participation in the commissioning process, planning of the exhibits’ presentation, production, signage, project management and consulting project development, graphic design of the exhibition and the accompanying booklet

Details

• Opening: 28. April 2012
• Exhibition site: New Palace
Fand Sanssouci Park, Potsdam
• Client: Prussian Palaces and
FGardens Foundation
FBerlin-Brandenburg
• 6.000 m²

Related projects

• Prussia & Saxony – Scenes
Ffrom a relationship between
Fneighbours
• Tabakcollegium –
FOranienbaum

Design process

Team

• Jens Imig
• Birgit Schlegel
• Thilo Albers
• Isabell Fringer
• Christian Hoffmann
• Christine Kitta
• Haleh Najafi-Shoushtari
• Gabriel Tecklenburg

Production management
• Rainer Kaufmann

Production
• Falko Riepe

Animation
• Jan Gabbert,  Ellen Stein,
FBuchstabenschubser

Architecture
• Johannes Gotaut

Photography
• Christoph Musiol

STASI. State Security in the SED Dictatorship

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Training centre of the BStU, Berlin

Erich Mielke’s red suitcase

Background

The permanent exhibition of the BStU illustrates the consequences of the secret police’s activities on individuals and society. Its nine narrative chapters document the history, ideology, structure and influence of the Ministry for State Security (MfS) of the GDR.

The exhibition consists of an anteroom with a multivision, a passage room with a filing cabinet illustrating the STASI’s working methods and an exhibition room presenting an array of documents and other materials.

Hovering above the ground, visitors see an intricately designed »biographer« with the paradigmatic life stories of nine GDR citizens, each of whom had become targets of the STASI. Each of the stories has been supplemented by a short film and an object. A labyrinth of grey vitrines appearing to grow from the ground and movable doors covered with fabric illustrate how the STASI’s working methods seamlessly fit into citizens’ everyday life.

Portfolio / Range of Services: exhibition dramaturgy, exhibition architecture, graphic design, media design, production, printed material, outdoor advertising material, signage, interior design of the training centre

Details

• Opening: January 2011
• Exhibition site: Training
Fcentre of the BStU, Berlin
• Client: Federal Commissioner
Ffor the Records of the State
FSecurity Service of the former
FGerman Democratic Republic,
FBStU
• 535 m²

Related projects

• The dissenter is the enemy
• Forced labour. The germans
Fthe forced labourers and the war
• STASI. State security in the
Fsed dictatorship (catalogue)

Design process

Team

• Jens Imig
• Birgit Schlegel
• Thilo Albers
• Christian Hoffmann
• Christina Kitta
• Marten Suhr

Fotografie
• Markus Müller
• Susanna Hufsky

Forced Labour. The Germans, the Forced Labourers and the War

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Industrial Museum Zeche Zollverein, Dortmund

Logotype of the exhibition »Forced Labour«

Background

Having visited Berlin, Moscow, Dortmund, Warsaw, Prague, Hamburg and Steyr, the traveling exhibition introduces 60 representative case studies of forced labour during WWII. It aims to show how the occupied territories were exploited by National Socialist Germany in its abduction of more than 20 million people that it forced into providing labour.

Within a metal frame encompassing all technical equipment in use, the exhibition creates linearly structured compartments, which have been individually coloured, lit and substructured.

In order to visualize the brutality and imminence of forced labour as a system, throughout the course of the narrative the exhibition’s modular compartments become steadily larger, narrower and darker. The exhibition ends with a series of video interviews with contemporary witnesses.

Portfolio / Range of Services: exhibition architecture, media design, graphic design, production, production management, supervision of the exhibition at the different exhibition sites

Details

• First opening: October 2010
• Exhibition sites: Berlin, Moscow,
FDortmund, Warsaw, Prague,
FHamburg, Steyr
• Client: Memorial Foundation
FBuchenwald and Mittelbau-Dora,
Finitiated and supported by the
Ffoundation »Memory, Responsibility
Fand Future«
• 1.000 m²

Related projects

• Wolfenbuettel prison –
FRemodelling of the former
Fexecution site
• STASI. State security in the
Fsed dictatorship (catalogue)
• STASI. State security in the
Fsed dictatorship (exhibition)
• The dissenter is the enemy

Design Process

Team

• Jens Imig
• Birgit Schlegel
• Klaus Fermor
• Julia Junghänel
• Christine Kitta
• Marten Suhr
• Marie-Luise Uhle
• Ann-Christin Warntjen

Architektur
• Johannes Gotaut
• Jan Leisse

Ausstellungsbau
• Walther Expointerieur

Schriftsatz
• Klaus Böhm

Druck
• Radebeuler Machwerk e.K., Radebeul

Fotografie
• Christoph Musiol

Flight and Metamorphosis – Nelly Sachs, Writer

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Museum of Literature Strauhof, Zürich

The basic idea of the exhibition drawn on a napkin: the events concentrate around a centre

Background

The scenography of this travelling exhibition visualises the mental images and emotional states of the poet and Nobel Laureate Nelly Sachs, who in 1940 fled from Berlin to Stockholm on one of the last passenger planes.

Flight, persecution and constant threats from the National Socialists resulted in the poet suffering panic attacks and needing psychiatric treatment. A large portion of her poetic output was written in a 4 m2 alcove within her apartment in Stockholm. A reconstruction of this »ship’s cabin« constitutes the center of the exhibition.

Supported by: German Federal Cultural Foundation, Jubilee Fund of the Swedish National Bank, Swedish Academy, Stockholm, German Academy for Language and Literature, German Lottery Foundation

Portfolio / Range of Services: exhibition design, graphic design, printed material, production management during the travelling, project management, controlling, overall management

Details

• First opening: March 2010
• Exhibition sites: Berlin,
FStockholm, Zürich, Frankfurt,
FDortmund
• Initiated by: Prof. Dr. Aris
FFioretos und gewerkdesign
• 375 m²

Related projects

• Flight and metamorphosis,
FNelly Sachs, Writer (catalogue)
• Forceful women –
FCatalogue series

Design process

Team

• Jens Imig
• Birgit Schlegel
• Thilo Albers
• Andreas Baumbach
• Christine Kitta
• Stefan Schöbinger

Externe Mitarbeiter
• Prof. Dr. Aris Fioretos

Fotograf/in
• Olle Kirchmeier (Stockholm)
• Christoph Musiol (Berlin)

The Dissenter is the Enemy

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First opening at the Hamburg Chamber of Trade and Commerce

Background

The travelling exhibition of the Stasi Records Agency (BStU) has been travelling across Germany and Europe since 2008.
On 200 m² of exhibition space luminous cubes resembling the metal filing cabinets of the Stasi explain the administrative machinery behind the assault. A table with a timeline defines important events in the history of the GDR. Biographical display stands recount the individual fates of people who were monitored by the Stasi.

Portfolio / Range of Services: exhibition design, exhibition graphics, graphic design of printed and supplementary material (catalogue, materials for journalists and students), production of the travelling exhibition

Details

• First opening: November 2008
• Exhibition sites: Hamburg Chamber
• Other sites: Europewide
• Client: Federal commissioner for
Fthe Records of the State Security
FService of the former German
FDemocratic Republic, BStU
• 200 m²

Related projects

• STASI. State security in the
Fsed dictatorship (catalogue)
• STASI. State security in the
Fsed dictatorship (exhibition)

Design Process

Team

• Jens Imig
• Birgit Schlegel
• Christine Kitta
• Susanne Kluge
• Stefan Schöbinger

Metallarbeiten
• Paul Klier

Fotografie
• Bert Brüggemann
• Ursula Böhmer

Science + Fiction – Between Nanoworld and Global Culture

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Miraikan, Tokio

Background

The international travelling exhibition »science + fiction« contemplates the cultural relations between fine arts and science. Within a structure designed exclusively for the exhibition by gewerkdesing works of art and scientific facts are juxtaposed.

Just like a »Wunderkammer« from the Renaissance when the arts and sciences were not as separate as they are today, the exhibition uses artistic works in order to comment upon the essential accomplishments of science represented by images, objects, specimens and media reports.

Working together with scientists and artists gewerkdesign specified an architectural matrix consisting of identical modules for integrating the exhibits.

Portfolio / Range of Services: exhibition design, scenography, brand design, production and production management

Details

• Opening: December 2002
• Exhibition sites: Hannover,
FKarlsruhe, Bonn, Dresden,
FStockholm, Munich, Eindhoven,
FTokio
• Client: Volkswagen Foundation,
FHannover
• 700 – 1.200 m²

Related projects

• Sugars and beyond!
FFood – Matter – Energy

Design Process

Team

• Jens Imig
• Stefan Rothert
• Birgit Schlegel
• Barbara Höffer
• Tobias Solcher
• Hendrik Unger

Curators
• Thomas Spring
• Stefan Iglhaut

Artists
• Atelier Joep van Lieshout
• Dellbrügge & de Moll
• Christoph Keller
• Mark Weis, Martin de Mattia, M+M
• Christa Sommerer and Laurent Mignonneau

Scientists
• Andreas Engel
• Eva Kimminich
• Jörg Kotthaus

Photography
• Herling/Gwose
• Ursula Böhmer
• Peter Cox